For those of you who loved Michael Jackson, and for those of you who did not, this was in the latest issue of the Earth Rainbow Network Thought I would share it, as in my humble oppinion, it shows those that thought ill of MJ that maybe they did not know the real MJ, only the hyped up circus freak the media made him out to be. This post from a true friend shows the real MJ!
Deepak Chopra: Michael Jackson -- June 26, 2009
Michael Jackson will be remembered, most likely, as a shattered icon, a pop genius who wound up a mutant of fame. That's not who I will remember, however. His mixture of mystery, isolation, indulgence, overwhelming global fame, and personal loneliness was intimately known to me. For twenty years I observed every aspect, and as easy as it was to love Michael -- and to want to protect him -- his sudden death yesterday seemed almost fated.
Two days previously he had called me in an upbeat, excited mood. The voice message said, "I've got some really good news to share with you." He was writing a song about the environment, and he wanted me to help informally with the lyrics, as we had done several times before. When I tried to return his call, however, the number was disconnected. (Terminally spooked by his treatment in the press, he changed his phone number often.) So I never got to talk to him, and the music demo he sent me lies on my bedside table as a poignant symbol of an unfinished life.
When we first met, around 1988, I was struck by the combination of charisma and woundedness that surrounded Michael. He would be swarmed by crowds at an airport, perform an exhausting show for three hours, and then sit backstage afterward, as we did one night in Bucharest, drinking bottled water, glancing over some Sufi poetry as I walked into the room, and wanting to meditate.
That person, whom I considered (at the risk of ridicule) very pure, still survived -- he was reading the poems of Rabindranath Tagore when we talked the last time, two weeks ago. Michael exemplified the paradox of many famous performers, being essentially shy, an introvert who would come to my house and spend most of the evening sitting by himself in a corner with his small children. I never saw less than a loving father when they were together (and wonder now, as anyone close to him would, what will happen to them in the aftermath).
Michael's reluctance to grow up was another part of the paradox. My children adored him, and in return he responded in a childlike way. He declared often, as former child stars do, that he was robbed of his childhood. Considering the monstrously exaggerated value our society places on celebrity, which was showered on Michael without stint, the public was callous to his very real personal pain. It became another tawdry piece of the tabloid Jacko, pictured as a weird changeling and as something far more sinister.
It's not my place to comment on the troubles Michael fell heir to from the past and then amplified by his misguided choices in life. He was surrounded by enablers, including a shameful plethora of M.D.s in Los Angeles and elsewhere who supplied him with prescription drugs. As many times as he would candidly confess that he had a problem, the conversation always ended with a deflection and denial. As I write this paragraph, the reports of drug abuse are spreading across the cable news channels. The instant I heard of his death this afternoon, I had a sinking feeling that prescription drugs would play a key part.
The closest we ever became, perhaps, was when Michael needed a book to sell primarily as a concert souvenir. It would contain pictures for his fans but there would also be a text consisting of short fables. I sat with him for hours while he dreamily wove Aesop-like tales about animals, mixed with words about music and his love of all things musical. This project became Dancing the Dream after I pulled the text together for him, acting strictly as a friend. It was this time together that convinced me of the modus vivendi Michael had devised for himself: to counter the tidal wave of stress that accompanies mega-stardom, he built a private retreat in a fantasy world where pink clouds veiled inner anguish and Peter Pan was a hero, not a pathology.
This compromise with reality gradually became unsustainable. He went to strange lengths to preserve it. Unbounded privilege became another toxic force in his undoing. What began as idiosyncrasy, shyness, and vulnerability was ravaged by obsessions over health, paranoia over security, and an isolation that grew more and more unhealthy. When Michael passed me the music for that last song, the one sitting by my bedside waiting for the right words, the procedure for getting the CD to me rivaled a CIA covert operation in its secrecy.
My memory of Michael Jackson will be as complex and confused as anyone's. His closest friends will close ranks and try to do everything in their power to insure that the good lives after him. Will we be successful in rescuing him after so many years of media distortion? No one can say. I only wanted to put some details on the record in his behalf. My son Gotham traveled with Michael as a roadie on his "Dangerous" tour when he was seventeen. Will it matter that Michael behaved with discipline and impeccable manners around my son? (It sends a shiver to recall something he told Gotham: "I don't want to go out like Marlon Brando. I want to go out like Elvis." Both icons were obsessions of this icon.)
His children's nanny and surrogate mother, Grace Rwaramba , is like another daughter to me. I introduced her to Michael when she was eighteen, a beautiful, heartwarming girl from Rwanda who is now grown up. She kept an eye on him for me and would call me whenever he was down or running too close to the edge. How heartbreaking for Grace that no one's protective instincts and genuine love could avert this tragic day. An hour ago she was sobbing on the telephone from London. As a result, I couldn't help but write this brief remembrance in sadness. But when the shock subsides and a thousand public voices recount Michael's brilliant, joyous, embattled, enigmatic, bizarre trajectory, I hope the word "joyous" is the one that will rise from the ashes and shine as he once did.
*** Bless passionate, beloved Michael Jackson. He will be with us again! We are One. Bless us all.
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
Showing posts with label Music News. Show all posts
Showing posts with label Music News. Show all posts
Wednesday, July 1, 2009
Wednesday, June 17, 2009
June National Guitar Workshop
Artist Corner:
David Wilcox
The ability to match words to music is a skill that requires just as much dedication as learning an Eddie Van Halen solo note for note. There are very few masters of this craft and this year we are lucky to feature one of them. David Wilcox first came to prominence in the late 80's when his first A&M record, How Did You Find Me Here? was released to critical acclaim. Combining a voice that is a cross between James Taylor and Nick Drake while his guitar skills rely on altered tunings and partial capos. This gives the music an organic feel while keep a level of sophisication throughout.
At our 2009 Songwriting Summit David will giving an afternoon masterclass on his approach to crafting songs. David's latest release, Open Hand, is an excerise in economy. The whole album was recorded over the course of one week during this past December. All the tracks were recorded live with a band that included Dan Phelps on guitar and keyboard, Jon Evans on bass and James McAlister on drums. A simple concept of creating some great music and recording it live as it happens.
As a guitarist, David blends incredibly complicated fingerpicking patterns with beautiful melodies. In my opinion, it is the goal of every great guitarist to make the difficult sound effortless and very few singer/songwriters do this as well as David Wilcox. His command of altered tunings is on par with Joni Mitchell, which gives his harmonies an incredible open feel.
Don't miss this chance to get up close with one of the greatest songwriters around. Register for our 2009 Songwriting Summit in Purchase, NY from August 9th through 14th.
http://www.davidwilcox.com
Benedetto Guitars CEO Howard Paul Coming to NGW!
Howard Paul, CEO/President of Benedetto Guitars will be visiting our McLean, VA and our Jazz Summit in Purchase. Howard will be bringing some of the latest Benedetto Guitars for our students to try out.
There will also be a presentation by Howard on the history of archtop guitars.
Jazz Guitars - The Perspective of a Manufacturer/Player
Archtop guitars have defined the voice of jazz since Lloyd Loar's 1922 Gibson L5. The metamorphosis from the 16" acoustic carved guitars without cutaways to chambered solid body electrics and laminated archtops impacted players, manufactures, retailers, and certainly music itself. Howard Paul, a gigging guitarist and President/CEO of Benedetto Guitars will discuss Bob Benedetto's philosophies, the application of architectural principals and difference materials, and the practical aspects of modern jazz guitar making. This is a unique prospective from the premier jazz guitar manufacturer today. Bob Benedetto's business partner since 2006, Howard has performed extensively with guitar greats including Bucky Pizzarelli, Howard Alden, Jack Wilkins, Joe Beck, Frank Vignola, Dan Faehnle, Jimmy Bruno, and many others. He performs regularly in his trio with bassist Ben Tucker. In addition to his music, he spent ten years as an Army logistics officer, and as a steel company executive.
http://www.benedettoguitars.com
Teacher Spotlight
Veteran Faculty Share in the Strength of NGW
In the 26 years of the NGW's existence, the strength of the program lies in the talent and expertise of the teachers. Matt Smith, Kim Perlak, and Dennis McCumber have been vital assets to the NGW program and are continuing to bring their knowledge and passion to the students.
Matt Smith is one very busy New York City based musician. On any given day, Matt can be found wandering the globe spreading the love, performing, producing, writing, teaching, recording, or giving up the secrets of playing guitar at one of his "Chop Shop" concert/clinics for Ovation and Hamer guitars. Matt is a self-taught singer-songwriter and guitarist who plays a bunch of crazy stringed instruments in just about any style, and has a simple, friendly way of sharing his knowledge with others. Matt has performed with, opened for, or recorded with many artists including, B.B. King, Sheryl Crow, Trey Anastasio, Buddy Guy, Greg Allman, and many others. Recently, Matt has performed at the NYC Blue Note as well as Carnegie Hall, Central Park, and Eisenhower Park with the NY Pops Orchestra. Matt continues to perform at numerous international guitar festivals. Matt has an extensive discography, including a recent release from his latest project, Meet the Monstas, and a plethora of books from the Workshop Arts/Alfred Publishing Company.
"This is my 20th year teaching at NGW. I've become lifelong friends with the staff and faculty, and have seen so many students grow into great musicians. I've structured my Chop Shop and Bluesblaster classes to be entertaining, inspiring and filled with enough real world information to keep you busy for years! NGW is the first and BEST in its field!!!"
http://www.mattsmtihsworld.com
Kim Perlak is a guitarist and American music scholar and has been on the NGW faculty since 1999. In December, she received her doctorate in Guitar Performance at the University of Texas at Austin. Kim completed a Master of Music degree at Yale School of Music and received her BM, Magna Cum Laude, at Stetson University. As a soloist and collaborator with classical, jazz, and folk musicians, she has been featured in university concert halls across the country, on NPR and CBS Sunday Morning, and at Austin's famous club, Ruta Maya. Kim is on the faculty of Concordia University-TX, Austin Community College, and Austin Guitar School. Her lecture-concerts on American musical culture have been funded by the Carolina Institute for Leadership and Engagement in Music. Her recording with guitar, flute, and cello - Yong, Kim, and Cathy at Yale - is available at cdbaby.com.
At NGW, Kim teaches Classical and Beginner Intensive Core, and is the Coordinator of the Intern Program. "The Classical Core is a lot of fun for me to teach because I was once a classical student at NGW. I'm always amazed at the amount of progress each student makes in one week through this kind of intensive curriculum and collaboration with the other students. Beginner Intensive Core is another favorite of mine - and a class I helped to develop in 2000. This class is truly amazing. Every year, brave individuals who are new to the guitar come for an intensive jump-start and get farther than they ever imagined in one week."
http://www.myspace.com/kimperlak
Dennis McCumber has been a guitar instructor and performer for more than 20 years. He holds a Bachelor's degree in music education from The College of Saint Rose. Dennis performs regularly in the New York City area with various rock, blues, and funk bands, and occasionally as a classical soloist. Dennis has shared the stage with such greats as Robben Ford, Eric Krasno, and Big Bill Morganfield, son of the late great Muddy Waters. Dennis has performed at the Chicago Blues festival, as well as the Hard Rock Café on Beal St. in Memphis, TN. His trio, The MG3's, is a featured act at Club Groove in New York City, where they are advertised as a "3 piece slamming funk band." He also performs with the soul jazz/funk band, The Ex-Caminos. In addition to performing, Dennis has been a middle school music teacher in the Bronx for the past 10 years. While teaching in the Bronx, he was given a guitar lab by VH1 Save the Music and a keyboard lab from the radio station Hot97 Hip Hop Symphony. Dennis has been an instructor at the National Guitar Workshop since 1996, where he teaches blues, funk, and rock. He resides in Westchester County, NY.
Dennis is very excited to be part of four different summits this summer. He will be teaching his course, "The Total Blues Guitarist, by with his book of the same title, at the Blues Summits in Chicago and Purchase, NY. Dennis is also involved in the very exciting Jam Summit in Purchase. "To be able to spend time with Jimmy Herring and Oteil Burbridge can only be filled with life changing inspiration." Dennis' personal favorite is the Funk Summit in Purchase. "This is a dream come true for me! I have always enjoyed teaching the Funk Improv classes at the workshop and now I get to dedicate an entire week to my favorite style of music." Dennis will get to share all the cool tricks and licks he has developed over the many years of playing funk music.
http://www.dennismccumber.com
Beatles Boot Camp with Lou Manzi
Focus on the timeless music of the Fab Four in the "Beatles Boot Camp" seminar. Over the week, students will learn a wide variety of Beatles tunes, from the early days through their last recordings. In addition to learning to play several songs each day, students will analyze each song's chord progressions, strums, and licks.
According to the seminar's teacher, Lou Manzi, "It's a real blast to hear all those parts together. Just think of the great opening riff to 'Day Tripper'. You're in the class and you start it off, then the bass part kicks in, then a couple of people come in with the accompanying chords. Then we all start singing and play through the entire song, while somebody plays the solo (we learn many of the solos from the recordings). Now that's a fun experience, and it's what we do with each song we cover."
Lou's love of the Beatles and enthusiasm for this class comes across clearly in his description: "I love to teach this class because I love the music so much, and I love to see and hear the students have a great time with the music and each other. There is very little theory or scale practice involved with this one. It's pretty much play, play, and play some more."
Beatles Boot Camp will run at our SUNY Purchase, NY location from July 19th to 24th.
You can find out all about these events at the National Guitar Workshop
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
David Wilcox
The ability to match words to music is a skill that requires just as much dedication as learning an Eddie Van Halen solo note for note. There are very few masters of this craft and this year we are lucky to feature one of them. David Wilcox first came to prominence in the late 80's when his first A&M record, How Did You Find Me Here? was released to critical acclaim. Combining a voice that is a cross between James Taylor and Nick Drake while his guitar skills rely on altered tunings and partial capos. This gives the music an organic feel while keep a level of sophisication throughout.
At our 2009 Songwriting Summit David will giving an afternoon masterclass on his approach to crafting songs. David's latest release, Open Hand, is an excerise in economy. The whole album was recorded over the course of one week during this past December. All the tracks were recorded live with a band that included Dan Phelps on guitar and keyboard, Jon Evans on bass and James McAlister on drums. A simple concept of creating some great music and recording it live as it happens.
As a guitarist, David blends incredibly complicated fingerpicking patterns with beautiful melodies. In my opinion, it is the goal of every great guitarist to make the difficult sound effortless and very few singer/songwriters do this as well as David Wilcox. His command of altered tunings is on par with Joni Mitchell, which gives his harmonies an incredible open feel.
Don't miss this chance to get up close with one of the greatest songwriters around. Register for our 2009 Songwriting Summit in Purchase, NY from August 9th through 14th.
http://www.davidwilcox.com
Benedetto Guitars CEO Howard Paul Coming to NGW!
Howard Paul, CEO/President of Benedetto Guitars will be visiting our McLean, VA and our Jazz Summit in Purchase. Howard will be bringing some of the latest Benedetto Guitars for our students to try out.
There will also be a presentation by Howard on the history of archtop guitars.
Jazz Guitars - The Perspective of a Manufacturer/Player
Archtop guitars have defined the voice of jazz since Lloyd Loar's 1922 Gibson L5. The metamorphosis from the 16" acoustic carved guitars without cutaways to chambered solid body electrics and laminated archtops impacted players, manufactures, retailers, and certainly music itself. Howard Paul, a gigging guitarist and President/CEO of Benedetto Guitars will discuss Bob Benedetto's philosophies, the application of architectural principals and difference materials, and the practical aspects of modern jazz guitar making. This is a unique prospective from the premier jazz guitar manufacturer today. Bob Benedetto's business partner since 2006, Howard has performed extensively with guitar greats including Bucky Pizzarelli, Howard Alden, Jack Wilkins, Joe Beck, Frank Vignola, Dan Faehnle, Jimmy Bruno, and many others. He performs regularly in his trio with bassist Ben Tucker. In addition to his music, he spent ten years as an Army logistics officer, and as a steel company executive.
http://www.benedettoguitars.com
Teacher Spotlight
Veteran Faculty Share in the Strength of NGW
In the 26 years of the NGW's existence, the strength of the program lies in the talent and expertise of the teachers. Matt Smith, Kim Perlak, and Dennis McCumber have been vital assets to the NGW program and are continuing to bring their knowledge and passion to the students.
Matt Smith is one very busy New York City based musician. On any given day, Matt can be found wandering the globe spreading the love, performing, producing, writing, teaching, recording, or giving up the secrets of playing guitar at one of his "Chop Shop" concert/clinics for Ovation and Hamer guitars. Matt is a self-taught singer-songwriter and guitarist who plays a bunch of crazy stringed instruments in just about any style, and has a simple, friendly way of sharing his knowledge with others. Matt has performed with, opened for, or recorded with many artists including, B.B. King, Sheryl Crow, Trey Anastasio, Buddy Guy, Greg Allman, and many others. Recently, Matt has performed at the NYC Blue Note as well as Carnegie Hall, Central Park, and Eisenhower Park with the NY Pops Orchestra. Matt continues to perform at numerous international guitar festivals. Matt has an extensive discography, including a recent release from his latest project, Meet the Monstas, and a plethora of books from the Workshop Arts/Alfred Publishing Company.
"This is my 20th year teaching at NGW. I've become lifelong friends with the staff and faculty, and have seen so many students grow into great musicians. I've structured my Chop Shop and Bluesblaster classes to be entertaining, inspiring and filled with enough real world information to keep you busy for years! NGW is the first and BEST in its field!!!"
http://www.mattsmtihsworld.com
Kim Perlak is a guitarist and American music scholar and has been on the NGW faculty since 1999. In December, she received her doctorate in Guitar Performance at the University of Texas at Austin. Kim completed a Master of Music degree at Yale School of Music and received her BM, Magna Cum Laude, at Stetson University. As a soloist and collaborator with classical, jazz, and folk musicians, she has been featured in university concert halls across the country, on NPR and CBS Sunday Morning, and at Austin's famous club, Ruta Maya. Kim is on the faculty of Concordia University-TX, Austin Community College, and Austin Guitar School. Her lecture-concerts on American musical culture have been funded by the Carolina Institute for Leadership and Engagement in Music. Her recording with guitar, flute, and cello - Yong, Kim, and Cathy at Yale - is available at cdbaby.com.
At NGW, Kim teaches Classical and Beginner Intensive Core, and is the Coordinator of the Intern Program. "The Classical Core is a lot of fun for me to teach because I was once a classical student at NGW. I'm always amazed at the amount of progress each student makes in one week through this kind of intensive curriculum and collaboration with the other students. Beginner Intensive Core is another favorite of mine - and a class I helped to develop in 2000. This class is truly amazing. Every year, brave individuals who are new to the guitar come for an intensive jump-start and get farther than they ever imagined in one week."
http://www.myspace.com/kimperlak
Dennis McCumber has been a guitar instructor and performer for more than 20 years. He holds a Bachelor's degree in music education from The College of Saint Rose. Dennis performs regularly in the New York City area with various rock, blues, and funk bands, and occasionally as a classical soloist. Dennis has shared the stage with such greats as Robben Ford, Eric Krasno, and Big Bill Morganfield, son of the late great Muddy Waters. Dennis has performed at the Chicago Blues festival, as well as the Hard Rock Café on Beal St. in Memphis, TN. His trio, The MG3's, is a featured act at Club Groove in New York City, where they are advertised as a "3 piece slamming funk band." He also performs with the soul jazz/funk band, The Ex-Caminos. In addition to performing, Dennis has been a middle school music teacher in the Bronx for the past 10 years. While teaching in the Bronx, he was given a guitar lab by VH1 Save the Music and a keyboard lab from the radio station Hot97 Hip Hop Symphony. Dennis has been an instructor at the National Guitar Workshop since 1996, where he teaches blues, funk, and rock. He resides in Westchester County, NY.
Dennis is very excited to be part of four different summits this summer. He will be teaching his course, "The Total Blues Guitarist, by with his book of the same title, at the Blues Summits in Chicago and Purchase, NY. Dennis is also involved in the very exciting Jam Summit in Purchase. "To be able to spend time with Jimmy Herring and Oteil Burbridge can only be filled with life changing inspiration." Dennis' personal favorite is the Funk Summit in Purchase. "This is a dream come true for me! I have always enjoyed teaching the Funk Improv classes at the workshop and now I get to dedicate an entire week to my favorite style of music." Dennis will get to share all the cool tricks and licks he has developed over the many years of playing funk music.
http://www.dennismccumber.com
Beatles Boot Camp with Lou Manzi
Focus on the timeless music of the Fab Four in the "Beatles Boot Camp" seminar. Over the week, students will learn a wide variety of Beatles tunes, from the early days through their last recordings. In addition to learning to play several songs each day, students will analyze each song's chord progressions, strums, and licks.
According to the seminar's teacher, Lou Manzi, "It's a real blast to hear all those parts together. Just think of the great opening riff to 'Day Tripper'. You're in the class and you start it off, then the bass part kicks in, then a couple of people come in with the accompanying chords. Then we all start singing and play through the entire song, while somebody plays the solo (we learn many of the solos from the recordings). Now that's a fun experience, and it's what we do with each song we cover."
Lou's love of the Beatles and enthusiasm for this class comes across clearly in his description: "I love to teach this class because I love the music so much, and I love to see and hear the students have a great time with the music and each other. There is very little theory or scale practice involved with this one. It's pretty much play, play, and play some more."
Beatles Boot Camp will run at our SUNY Purchase, NY location from July 19th to 24th.
You can find out all about these events at the National Guitar Workshop
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
Wednesday, June 10, 2009
Stevie Vai to be Guest at National Guitar Workshop
Just Announced!
STEVE VAI
Rock Summit
Purchase, NY July 19-24
Limited Spots Available
Register Today!
Steve Vai
This will marks Vai's first time with NGW on the East Coast, and is Vai's only summer East Coast Appearance.
As a Grammy award-winning guitar virtuoso, Steve Vai's sheer breathtaking facility on the guitar is acclaimed in the rock world and beyond. Starting with his groundbreaking "Passion and Warfare" album in 1990, and throughout the years since, Vai has consistently used music as a microscope peering into the human spirit, with equal attention paid to both the darkest obsessions and the most exalted impulses contained there. While Vai clearly had what was needed to make indelible impressions during his stays with Frank Zappa, David Lee Roth and Whitesnake, it's as a solo artist that he's made his most precious contributions. Each of his solo releases are unique, varied, compelling and, even when the music is looking darkness square in the face, genuinely uplifting. His most recent studio album, "Real Illusions," is a major achievement from a musical alchemist of the highest order. In addition to his recording career, Steve is involved with many worthwhile organizations. He is a former Trustee for NARAS (National Academy of the Recording Arts and Sciences), a board member for Hollywood Arts, and works closely with his own Make a Noise Foundation, raising money for music education. Steve has just finished a live concert DVD entitled "Where the Wild Things Are." The two hour and forty minute concert film, which was filmed in Minneapolis, will be released in August.
Register for the workshop HERE
National Guitar Workshop
(800) 234-6479
P.O. Box 222
Lakeside, CT 06758
Fax: 860-567-0374
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
STEVE VAI
Rock Summit
Purchase, NY July 19-24
Limited Spots Available
Register Today!
Steve Vai
This will marks Vai's first time with NGW on the East Coast, and is Vai's only summer East Coast Appearance.
As a Grammy award-winning guitar virtuoso, Steve Vai's sheer breathtaking facility on the guitar is acclaimed in the rock world and beyond. Starting with his groundbreaking "Passion and Warfare" album in 1990, and throughout the years since, Vai has consistently used music as a microscope peering into the human spirit, with equal attention paid to both the darkest obsessions and the most exalted impulses contained there. While Vai clearly had what was needed to make indelible impressions during his stays with Frank Zappa, David Lee Roth and Whitesnake, it's as a solo artist that he's made his most precious contributions. Each of his solo releases are unique, varied, compelling and, even when the music is looking darkness square in the face, genuinely uplifting. His most recent studio album, "Real Illusions," is a major achievement from a musical alchemist of the highest order. In addition to his recording career, Steve is involved with many worthwhile organizations. He is a former Trustee for NARAS (National Academy of the Recording Arts and Sciences), a board member for Hollywood Arts, and works closely with his own Make a Noise Foundation, raising money for music education. Steve has just finished a live concert DVD entitled "Where the Wild Things Are." The two hour and forty minute concert film, which was filmed in Minneapolis, will be released in August.
Register for the workshop HERE
National Guitar Workshop
(800) 234-6479
P.O. Box 222
Lakeside, CT 06758
Fax: 860-567-0374
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
Wednesday, May 20, 2009
Music and Spiritual Practice - An Overview of Poligraf (part 3)
Christopher Stewart has just added part 3 of his article to the Sojournstar Music Network.
Free Registration required.
Read it here Sojournstar Music Network!
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
Free Registration required.
Read it here Sojournstar Music Network!
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
Saturday, March 21, 2009
Songwriters Festival Ramps Up For June Performances
Songwriters of every genre, from the novice to the professional will converge on Music Row for The Nashville SongWriters Festival held every third weekend of June. The 2009 Song Fest is many happenings in one. It's part live music festival, part teaching conference, part business networking opportunity and part gathering of old friends. Tune smiths share their original music on multiple outdoor stages and Open Sing Rings. The jamboree is hosted by SongWritersFestival.com this June 19-21 and registration to attend is now officially open.
There will be featured writers strumming their hits and undiscovered songwriters playing new ones. Last year Sony/BMG staff writers, a gang from Warner-Chappell/Ash Street Music and many others you hear every day on the radio, shared their songs. The fest represents the past, present and future of songwriting, we welcome all forms of music. Composers are encouraged to come as they are and find their place in the mix.
There are several open air stages with scheduled performances and impromptu areas for unscheduled Sing Rings. Everyone who comes to the fest has an opportunity to share their original lyrics, song or music. Last year at the Curb Music Parking Lot stage, Tom T. Hall, Stella Parton and many others jumped in to lend their talents. On the Artist Building Partners Video Stage, managed by Red Starr, live videos of player performances were provided. Sure Fire Music, one of Nashville's oldest publishers along with Second Life sponsored the Web Cast Stage. Studio 33 hosted the Alley Cat Stage and more.
Running concurrently with the live performances the festival also has classes hosted by hit writers to Grammy winners. Writers can attend all or parts of the Pro Instruction while at the fest. The tutoring was held outdoors between Crystal Gayle's Building and SESAC on the grass near a shady oak tree. pros who have "been there done that" gathered to impart their secrets, personal experiences, offer song critiques and other tidbits of the music biz.
The celebration also host an Open House on Music Row where participating music related businesses have an "open door" policy to take questions, exchange samples and discuss what part they play in the industry. Recording Studios, Publishers, Song Pluggers, Duplicators, Distributors, Instrument Makers and many other aspects of the music business will be represented. The Open House is a whirlwind of unscheduled meet and greets and an opportunity to run the Row.
Non Performing songwriters are also encouraged to come and collaborate with other writers. Networking and Co-writing is a crucial key to getting cuts. There will be a writers table where registered attendees can display their CD's. There will also be informational booths and a collaboration tent hosted by "Keeli".
There are no set pre qualifications to attend all or parts of the Fest. The festival is not a contest or competition, which makes for a more relaxing atmosphere. The efforts of caring volunteers and many "Fest Heads" makes this event different. We have feel! The pros were once novices and one day some novices will be pros. Together we inspire and grow in the business of music.
"The event does not let money get in the way of people expressing their craft." says festival founder Cornelius "Popcorn" Robertson. "There is no set registration fee to attend the fest. Participants determine their "Writers Share" by their ability to help be a part of the phenomenon. Some have, some have not, we all just do the best we can and that's what makes this music magic happen. This year, the festival has added the Tune Shop to the web site and also offers Fest Heads a way to express their support. The Tune Shop has festival related items and other memorabilia for the discriminating songwriter."
Registration is now officially open. Performing and Non performing songwriters, music related business, volunteers and the general public wishing to participate in the June 19-21-2009 activities can visit the website at http://www.SongWritersFestival.com or call 615-424-1491 or 931-296-4067 for more info.
There will be featured writers strumming their hits and undiscovered songwriters playing new ones. Last year Sony/BMG staff writers, a gang from Warner-Chappell/Ash Street Music and many others you hear every day on the radio, shared their songs. The fest represents the past, present and future of songwriting, we welcome all forms of music. Composers are encouraged to come as they are and find their place in the mix.
There are several open air stages with scheduled performances and impromptu areas for unscheduled Sing Rings. Everyone who comes to the fest has an opportunity to share their original lyrics, song or music. Last year at the Curb Music Parking Lot stage, Tom T. Hall, Stella Parton and many others jumped in to lend their talents. On the Artist Building Partners Video Stage, managed by Red Starr, live videos of player performances were provided. Sure Fire Music, one of Nashville's oldest publishers along with Second Life sponsored the Web Cast Stage. Studio 33 hosted the Alley Cat Stage and more.
Running concurrently with the live performances the festival also has classes hosted by hit writers to Grammy winners. Writers can attend all or parts of the Pro Instruction while at the fest. The tutoring was held outdoors between Crystal Gayle's Building and SESAC on the grass near a shady oak tree. pros who have "been there done that" gathered to impart their secrets, personal experiences, offer song critiques and other tidbits of the music biz.
The celebration also host an Open House on Music Row where participating music related businesses have an "open door" policy to take questions, exchange samples and discuss what part they play in the industry. Recording Studios, Publishers, Song Pluggers, Duplicators, Distributors, Instrument Makers and many other aspects of the music business will be represented. The Open House is a whirlwind of unscheduled meet and greets and an opportunity to run the Row.
Non Performing songwriters are also encouraged to come and collaborate with other writers. Networking and Co-writing is a crucial key to getting cuts. There will be a writers table where registered attendees can display their CD's. There will also be informational booths and a collaboration tent hosted by "Keeli".
There are no set pre qualifications to attend all or parts of the Fest. The festival is not a contest or competition, which makes for a more relaxing atmosphere. The efforts of caring volunteers and many "Fest Heads" makes this event different. We have feel! The pros were once novices and one day some novices will be pros. Together we inspire and grow in the business of music.
"The event does not let money get in the way of people expressing their craft." says festival founder Cornelius "Popcorn" Robertson. "There is no set registration fee to attend the fest. Participants determine their "Writers Share" by their ability to help be a part of the phenomenon. Some have, some have not, we all just do the best we can and that's what makes this music magic happen. This year, the festival has added the Tune Shop to the web site and also offers Fest Heads a way to express their support. The Tune Shop has festival related items and other memorabilia for the discriminating songwriter."
Registration is now officially open. Performing and Non performing songwriters, music related business, volunteers and the general public wishing to participate in the June 19-21-2009 activities can visit the website at http://www.SongWritersFestival.com or call 615-424-1491 or 931-296-4067 for more info.
Saturday, March 7, 2009
Bottle Rockets and Nikki Sixx
Following an incident where a fan threw a water bottle back on the stage that Nikki had tossed to the crowd, Nikki was sent into a rage. When he saw the fan was a woman. "The fact that you're a f---ing whore just means you can suck my d--- a little more, you b----. Get the f--- out of here." Then she began crying and he mocked her tears
Watch this vid!
Nikki has apologized for reducing the fan to tears, admitting that the bottle the fan threw back at him was the very same one he threw to the audience.
Sixx was introducing the band's next song on stage when he threw a plastic bottle of water to the fans. The same bottle was then thrown back at the stage, almost hitting him.
He got angry and singled out the female fan for throwing the bottle, not realizing that it was the same one he threw seconds ago. He called the fan obscene names and began to mock her when she started crying.
Sixx writes his apology on his MySpace blog, "There was a recent event at one of our shows where someone threw a bottle at me during my speech and I got pretty pissed. The way it happened is, I threw a bottle of water to some fans and didn't realize the very bottle I threw to the fans was thrown back at me."
"I have to admit, Bands get pretty pissed when people throw sh*t at you onstage. I didn't even think it was the same bottle, so with that being said, id like to say im sorry to the fan who threw the bottle back at me [sic]."
"These damn clichés seem to be true, like 'two wrongs don't make a right..... Rock n roll, and temper tantums..."
"PS. These self-help books are really helping. Ha-Ha"
Just for the record, when a performer is on stage, he may do a number of things that strike him at the moment, including throwing stuff into the audience, but most people would have kept a water bottle that had been touched and used by Nikki. If an artist throws something from the stage at a concert you attend, don't be stupid, keep the item as memorabilia, but under no circumstances, throw it, or anything else at an artist on stage. There are numberous things that could go wrong, in this case alone, the bottle still contained water, and could have easily cracked after hitting an amp or other item, and caused an electrical meltdown, or worse, an electricution.
So next time Nikki throws something at you, keep it, cherish it, and thank your lucky stars, (in this case Nikki Sixx LOL)
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
Watch this vid!
Nikki has apologized for reducing the fan to tears, admitting that the bottle the fan threw back at him was the very same one he threw to the audience.
Sixx was introducing the band's next song on stage when he threw a plastic bottle of water to the fans. The same bottle was then thrown back at the stage, almost hitting him.
He got angry and singled out the female fan for throwing the bottle, not realizing that it was the same one he threw seconds ago. He called the fan obscene names and began to mock her when she started crying.
Sixx writes his apology on his MySpace blog, "There was a recent event at one of our shows where someone threw a bottle at me during my speech and I got pretty pissed. The way it happened is, I threw a bottle of water to some fans and didn't realize the very bottle I threw to the fans was thrown back at me."
"I have to admit, Bands get pretty pissed when people throw sh*t at you onstage. I didn't even think it was the same bottle, so with that being said, id like to say im sorry to the fan who threw the bottle back at me [sic]."
"These damn clichés seem to be true, like 'two wrongs don't make a right..... Rock n roll, and temper tantums..."
"PS. These self-help books are really helping. Ha-Ha"
Just for the record, when a performer is on stage, he may do a number of things that strike him at the moment, including throwing stuff into the audience, but most people would have kept a water bottle that had been touched and used by Nikki. If an artist throws something from the stage at a concert you attend, don't be stupid, keep the item as memorabilia, but under no circumstances, throw it, or anything else at an artist on stage. There are numberous things that could go wrong, in this case alone, the bottle still contained water, and could have easily cracked after hitting an amp or other item, and caused an electrical meltdown, or worse, an electricution.
So next time Nikki throws something at you, keep it, cherish it, and thank your lucky stars, (in this case Nikki Sixx LOL)
***************************************
Be sure to sign up for the new Sojournstar Music Network!
If your on the East Coast, be sure to sign up for
MusicRVA Social Network!
and if you want to make money while having fun and promoting your band, music or business, then you must
Join me at Weblo Virtual World for Fun & Profit!
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